FORE:Adieu, Madame! he said; and the changed tone of his voice so increased my agitation that I could not speak. I held out my hand which he took and pressed tightly in his; then, turning hastily to the postillions he signed to them, and we started.M. de Montagu, remembering his wifes proceedings with the former baby, insisted upon the others being brought up in the country, and Pauline again went out with her father-in-law, receiving a great deal of admiration which delighted him, but about which she cared very little. She was very pretty, considered very like what the Duchess, her mother, had been at her age, and perfectly at her ease in society, even when very young, and timid with her new relations; not being the least nervous [199] during her presentation at Versailles, which was rather a trying and imposing ceremony.
FORE:Most of the rabid mob believed him to be so fanatical a republican that he wore the tricolour by night as well as by day; a few, who guessed the truth, admired his presence of mind and let him escape.
FORE:One cannot help seeing in the sentiments expressed and the manner of expressing them, the artificial, affected tone which with Mme. de Genlis had become her second nature, and which she had evidently inculcated into her daughter.Her step-father was continually doing something or other to annoy and distress them. Their new home was immediately opposite the gardens of the Palais Royal, which in those days were not only very extensive but extremely beautiful, with great forest-trees whose deep shade the sun could not penetrate.
THREE:Her mother was extremely beautiful, of rather an austere character, and very religious. With her the children attended High Mass and the other offices of the Church, especially during Lent; and upon the sensitive, impressionable girl the solemn beauty of the music, and especially the deep notes of the organ, produced an almost overpowering effect. Often as she sat or knelt by her mother the rich, [17] melodious tones echoing through choir and nave in the dim, religious gloom would throw her into a kind of rapture, and end in a passion of tears which she could not always conceal. This intense feeling for music, especially religious music, lasted all her life.
THREE:The third portrait Mme. Le Brun retained in her own possessionfor she had begun it in September, 1789, when the terrors of the Revolution were beginning. As she painted at Louveciennes they could hear the thunder of the cannonades, and the unfortunate Mme. Du Barry said to her
